“We’re all for pushing artistic boundaries,” said an exasperated IOC President Thomas Bach in a press conference filled with more grimaces than cheers. “But there’s a difference between celebrating diversity and, well, holding what looked like a satanic fashion show in the middle of what’s supposed to be a celebration of global unity.”

The decision has sparked intense debate, with some celebrating the move as a victory for sanity, while others argue that the IOC’s crackdown on Paris is just another example of an institution afraid of challenging the status quo. In any case, one thing is certain: Paris may have lit its final Olympic torch.

For those lucky enough to have missed the 2024 opening ceremony—either because they were blissfully unaware or had the good sense to change the channel—what was meant to be a grand display of French culture and Olympic values quickly devolved into a chaotic spectacle that left audiences wondering if they had accidentally tuned into a dystopian Netflix series.

Things started off innocently enough, with a scenic boat parade down the Seine, highlighting Paris’s beautiful landmarks like the Louvre and Notre-Dame. But just when viewers were beginning to relax and appreciate the historic grandeur, things took a sudden turn into the bizarre. Performers dressed as drag queens reenacted the Last Supper, with DJ Barbara Butch—who proudly describes herself as a “fat Jewish queer”—taking center stage as a stand-in for Jesus Christ. A parody of the apostles danced around, flashing glitter and, for reasons no one can quite explain, singing a techno remix of Ave Maria.

If this sounds shocking, it gets worse. A blue chimera creature (because why not?) emerged onto the scene, humiliating sacred Christian symbols with a flamboyance that only further confused the millions of viewers tuning in from across the world. “I thought I was watching the Olympics, but it felt more like a nightmare I couldn’t wake up from,” said one baffled viewer in the US. “Who knew Paris could be so…extra?”

Unsurprisingly, the IOC was inundated with complaints, particularly from the United States and various Muslim-majority countries, which abruptly cut the live feed when the parade descended into what could only be described as a satanic-themed art installation. Many religious groups, Christians, and Muslims alike, expressed outrage over what they deemed a grotesque parody of their sacred beliefs.

As if the religious sacrilege weren’t enough, critics also took aim at what they called the “hyper-woke agenda” on full display throughout the ceremony. LGBT activist Thomas Jolly, who was hired to direct the opening ceremony, seemed determined to throw as much wokeness into the event as possible, like a chef who’s convinced that adding more ingredients will fix a dish rather than ruin it.

Between the overtly political messaging and the oddly disjointed choreography, many wondered if they were watching a celebration of the Olympics or a half-hearted attempt to stage a cultural revolution. “We expect some level of modernity at these ceremonies,” noted an anonymous IOC insider. “But when you’ve got drag queens, Satanic references, and a neon chimera prancing around like it’s a Pride parade at the gates of Hell, you’ve officially jumped the shark.”

In its official statement, the IOC minced no words. “The 2024 Paris opening ceremony was a betrayal of the Olympic spirit. What began as an event meant to honor unity, peace, and athletic excellence became a vehicle for radical ideologies that have no place in the Games. Paris went too far with wokeness and Satanism, and as such, the city is disqualified from hosting any future Olympic Games.”

Paris, ever the avant-garde provocateur, hasn’t taken the IOC’s decision quietly. French officials, along with the ceremony’s creative team, have fired back at critics, claiming that the world simply wasn’t ready for their bold artistic vision.

“You know, sometimes when you’re ahead of your time, people don’t understand,” said Thomas Jolly in an interview with French media. “The ceremony was meant to challenge traditional values, to shake up the establishment. Sure, we had drag queens, and yes, there was a parody of the Last Supper. But art is about pushing boundaries. If people can’t handle it, that’s on them, not on us.”

France’s Minister of Culture went one step further, calling the IOC’s decision “regressive” and a form of censorship. “We won’t apologize for expressing our culture and values on the world stage,” she said, although she did not comment on how exactly Satanism fit into the French cultural canon.

While Paris may be digging in its heels, the financial fallout is already proving catastrophic. US-based sponsors like Coca-Cola and Visa have pulled their advertising contracts, leaving the French Olympic Committee scrambling to make up for the lost revenue. “It’s like the worst PR nightmare imaginable,” confessed a source close to the French Olympic Committee. “We thought we were being bold, but now we’re just bleeding money.”

Even Emmanuel Macron, a leader known for navigating controversies with ease, has found himself in hot water over the debacle. Sources say the French president is furious, privately calling the ceremony an “embarrassment to the nation.” However, in public, he remains diplomatic, stating that “artistic expression should always be respected, but there is a time and place for everything. Perhaps the opening ceremony of the Olympic Games was not the best stage for such radical experimentation.”

The backlash is not limited to the financial realm. Religious leaders across the globe have condemned the ceremony, with the Vatican even releasing a rare statement of disapproval. “We pray for unity and understanding in the world, but this was not it,” read the statement from Pope Francis, which somehow managed to sound both disappointed and unsurprised.

As the dust settles, the legacy of the 2024 Paris Olympics remains uncertain. While the athletic events themselves continue, the shadow of the opening ceremony looms large, threatening to overshadow the accomplishments of the athletes who trained their entire lives to be here.

For Paris, the consequences are clear. With the IOC’s ban in place, the City of Light may never again play host to the Olympic flame. “It’s a shame,” remarked one French citizen. “But maybe next time, we’ll focus more on the athletes and less on whatever that was.”

And as the IOC moves forward, one thing is certain: the next host city will think twice before blending woke ideology with religious mockery and satanic symbolism.

Because if Paris taught us anything, it’s that sometimes you can go too far, even for the Olympics.